(BTW, if you need other good, effective technical exercises, please check out the other 97 exercises available.) It then gives four examples of how to use those chords to achieve the Richard Tee 'sound', including how he phrased them, plus it gives an example of a typical Left Hand accompanying pattern. It explains the underlying scale (or mode) and gives two ways of harmonizing each note of that seven-note 'scale'. My other new exercise, "Harmonize a Scale Richard Tee-style" will help you to better understand Richard Tee's (and Billy Preston's ) style, especially one of his main 'licks', a descending series of R&B-flavored chords. It also includes those same six sections with a different, slightly more challenging Left Hand pattern, for a total of twelve sections.
My "Shuffle Exercise" will help you understand how to play a 'shuffle' rhythm, i.e., a song in 12/8 meter, plus increase your Left Hand/Right Hand coordinationĢ) Bumps, where the chord briefly changes Meat Loaf - Bat Out of Hell - Piano (transcribed by Elmo Peeler) Here is my new transcription of "Bat Out of Hell": The song has many sections and many tempo changes, and Bittan plays a lot of different styles during this extraordinary composition. Bittan really pulled out all the stops on this track. This is not only the longest recording I've ever transcribed, even longer than Don McLean's "American Pie", but it's also probably the best piano part. This is the album version - 9:48 long - an amazing piano track by Roy Bittan (of Bruce Springsteen's E Street Band). Meat Loaf's "Bat Out of Hell" is my brand-new transcription this month and it is truly extraordinary.
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